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Saturday 20 November 2010

POST # 411 Pat Metheny on Pianist Paul Bley

“His relationship to time, is the best sort of pushing and pulling; wrestling with it and at the same time, phrase by phrase, making these interesting connections between bass and drums, making it seem like it’s a little bit on top, and then now it’s a little bit behind.”

“But there’s also this X factor, It’s the sense of each thing leading very naturally to the next thing. He’s letting each idea go to its own natural conclusion. He’s reconciling that with a form, of course, that we all know very well. And he’s following the harmony, but he’s not. It just feels like, ‘Why didn’t anybody else do that before?’ “

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